Stage Door News
Toronto: Buddies in Bad Times Theatre announces its 2019/20 season
Friday, May 31, 2019
Artistic Director Evalyn Parry announced the line-up for Buddies in Bad Times Theatre’s 2019/20 season today. After a blowout 40th anniversary season, the theatre company focuses on its role as an incubator for new queer works, with a mainstage production of one of its residency projects, an expanded showcase for its resident artists, and a new curation format for the Rhubarb Festival.
In announcing the season, Parry remarks: “I am immensely proud of the award-winning, groundbreaking queer work that has come out of the Buddies Residency Program, now going into its 10th year. This season, while some of that work travels across the country and across oceans, at home we devote increased resources to developing our next crop of vital queer artists and projects in residency. Meanwhile, on our main stage artists navigate the thorny territory of relationships: lovers, besties, hook ups, spouses, pickups, and partners, and the ensuing power struggles, sex, games, politics, role plays, magic, fights, mix ups, murders and breakups.“
Parry directs the company’s mainstage production, Jenna Harris’ Mine – as their relationship begins to fall apart, two women trace the history of their shared past. Since its presentation at the Next Stage Festival in 2015, Mine has been developed by Harris as part of the Buddies Residency Program. This brand-new production of Mine stars Vanessa Dunn (of Vag Halen and the 2016 film Portrait of a Serial Monogamist) and Annie Briggs (best known for the web series Carmilla), and features an innovative set by accomplished designer Shawn Kerwin that brings the memories of the couple’s relationship to life.
Beyond its home in Toronto’s gay village, Buddies shares its work on the international stage, with the critically-acclaimed Kiinalik: These Sharp Tools performing at the Edinburgh International Festival before returning to Canada for a presentation at Ottawa’s Great Canadian Theatre Company, part of the National Arts Centre – Indigenous Theatre’s inaugural season. The award-winning show is the meeting place of two people – and the North and South of our country – at the confluence of colonial legacies and a changing climate. Winner of the Dora Mavor Moore Awards for outstanding new play and outstanding sound design/composition, Kiinalik: These Sharp Tools is a creation of Evalyn Parry, Laakkuluk Williamson Bathory, Erin Brubacher, and Elysha Poirier with Cris Derksen. In March, the critically-acclaimed Obaaberima tours to Montreal after a successful run in Buddies’ 40th anniversary season, marking the show’s fourth remount since its premiere in 2012. Written and performed by Tawiah M’Carthy, Obaaberima is a young African Canadian’s queer coming-of-age story, infusing music and movement in this “tour-de-force” performance. Additional tour dates for these shows will be announced soon.
A focus on new works development has long been an emphasis for the company, and the upcoming season highlights the works incubating in the Buddies Residency Program. Resident artists include playwright-in-residence Bruce Gibbons Fell (The Communist Manifesto for Children), Bilal Baig and Angel Glady (Khwaja Sera), Yolanda Bonnell (White Girls in Moccasins), Justin Miller (Pearle Harbour) (Distant Early Warning), The Queer AF Collective (Undecided), Heath V Salazar (Antecristo), We Other Sons Collective (What’s Done, Must Come) and Leah Lewis and Robert Chafe (The Dialysis Project). These artists will be working with Buddies throughout the season, leading up to an Open Studios sharing in May: for three weeks, resident artists will be taking over the building to create, experiment, and engage audiences in the development of their work.
For the fourth year, Buddies partners with Native Earth Performing Arts for the 2-Spirit Cabaret in November as part of the Weesageechak Begins to Dance Festival. The one-night-only event, curated and hosted by Michaela Washburn, celebrates the strength, beauty, and talent of queer and 2-Spirit Indigenous people. In February, the Rhubarb Festival returns for its 41st year. Under the leadership of new Festival Director Clayton Lee, the festival introduces a curatorial collective comprised of Vanden Boomen, Theresa Cutknife, Claudia Edwards, Victoria Mata, and Lee. Taking a decentralized approach to curation, the collective will both articulate the vision for the festival and support artists through the process. This initiative is made possible through the support of partners Aluna Theatre, FADO Performance Art Centre, Native Earth Performing Arts, and Workman Arts.
In addition, Buddies welcomes six productions from a variety of Toronto companies. Obsidian Theatre presents a production of Antoinette Nwandu’s Pass Over, and regular season partner Nightwood Theatre mounts a new play by Andrea Scott and Nick Green, Every Day She Rose. Theatre Rusticlereimagines another classic in their unique style with Midsummer Night’s Dream, while timeshare performance brings their Summerworks hit, Brian Francis’ ensemble piece Box 4901, to Buddies. Alice Birch’s explosive feminist text, Revolt. She Said. Revolt Again. gets a production by Discord and Din Theatre and Soundstreams remounts their acclaimed production of Musik für das Ende, featuring the music and story of queer Quebec composer Claude Vivier.
2019-20 SHOW LISTINGS
An Obsidian Theatre production
by Antoinette Nwandu
directed by Philip Akin
starring Kaleb Alexander, Alex McCooeye + Brandon Mcknight
October 22 – November 10, 2019
Moses and Kitch stand around on the corner – just passing time and hoping that maybe today will be different. As they dream of their promised land, a stranger wanders into their space with his own agenda and derails their plans. Emotional and lyrical, Pass Over crafts everyday profanities into poetic and humorous riffs, exposing the unquestionable human spirit of young men who are stuck in a cycle and looking for a way out.
Native Earth Performing Arts in partnership with Buddies in Bad Times Theatre presents
curated and hosted by Michaela Washburn
November 16, 2019
Back for a third year, the 2-Spirit Cabaret is a celebration of the strength, beauty, and talent of queer and 2-Spirit Indigenous people. Buddies and Native Earth present an evening of performances, music, and spoken word as part of Weesageechak Begins to Dance 32 – Native Earth’s annual festival of Indigenous works.
A Nightwood Theatre production
EVERY DAY SHE ROSE
by Andrea Scott + Nick Greendirected by Andrea Donaldson + Sedina Fiati
November 23 – December 8, 2019
The personal becomes political in this collaboratively created new work from playwrights Andrea Scott and Nick Green. When racial and queer politics collide at the 2016 Toronto Pride parade, two best friends discover that the things that brought them together may now drive them apart. A hilarious and heartbreaking stare-down of privilege and oppression.
A Theatre Rusticle production
MIDSUMMER NIGHT’S DREAM
directed by Allyson McMackon
starring Rick Campbell, Burgandy Code, Amanda Cordner, Michael Derworiz, Nick Eddie, Matthew Finlan, Sarah Gale, Richard Lee, Alexa Macdougall, Alexandra Montagnesse, Kwaku Okyere, Matthew Rossoff + Annie Tuma
January 14 – 26, 2020
Shakespeare’s iconic A Midsummer Night’s Dream collides with Theatre Rusticle’s imagistic and physically poetic performance style to tell a lusciously dark story about love and a world out of balance. The company’s hallmark physicality bends this timeless fantasy, shattering the dusty myths and offering an intimate new view of lovers, fairies, theatre-makers, and Shakespeare.
Buddies in Bad Times Theatre presents
THE RHUBARB FESTIVAL
festival director Clayton Lee
February 12 – 22, 2020
Canada’s longest-running new works festival transforms Buddies into a hotbed of experimentation, with artists exploring new possibilities in theatre, dance, music, and performance art. Rhubarb is the place to see the most adventurous ideas in performance and to catch your favourite artists venturing into uncharted territory.
a timeshare production
by Brian Francis
directed + co-created by Rob Kempson
starring Brian Francis, Hume Baugh, Samson Brown, Keith Cole, Daniel Ellis, Jeff Ho, Michael Hughes, Indrit Kasapi, Daniel Krolik, Eric Morin, G Kyle Shields, Chy Ryan Spain, Chris Tsujiuchi + Geoffrey Whynot
February 27 – March 8, 2020
In 1992, novelist Brian Francis placed a personals ad in the newspaper. In total, he received 25 responses but there were 13 letters he never responded to. Now, at a much different stage in life, Brian has written replies to those letters. Featuring a cast of 13 queer actors, Box 4901 is a hilarious, strange, sweet, and awkward look back at how gay men used to find one another.
A Buddies in Bad Times Theatre production
by Jenna Harris
directed by Evalyn Parry
starring Annie Briggs + Vanessa Dunn
March 21 – April 5, 2020
When the life they built together starts to collapse, two women plunge themselves into a fantastical and tumultuous journey into their shared past attempting to recapture the magic in their relationship. Set on an imaginative stage design of memories come to life, Mine is a poetic contemplation of what happens to queer love when the lovers grow apart.
A Discord and Din Theatre production
REVOLT. SHE SAID. REVOLT AGAIN.
by Alice Birch
directed by Jennifer Tarver, choreographer Susanna Hood
April 12 – 26, 2020
An explosive feminist text that unfolds as a series of provocations, tearing apart the language, structures, and ideas that keep women trapped within a patriarchal system. Firebrand indie company Discord and Din Theatre offers a fresh perspective on this irreverent, wildly experimental, and internationally-celebrated play: a bawdy, ferocious, and galvanizing call to action for a new feminism, one that redefines the way we think about womanhood in the 21st century.
MUSIK FÜR DAS ENDE
composer Claude Vivier
directed by Chris Abraham, playwright Zack Russell
May 6 – 9, 2020
At the age of 34, Quebec composer Claude Vivier was murdered by a man he picked up in a Parisian bar. On his desk, an unfinished piece of music appeared to foretell his own death. The man and myth are inseparable from Vivier’s music, driven by a dangerous life lived at the very extremes of human experience. From there, he brought back a vision of the pure sound and light of eternity. In this immersive spectacle for 10 singers, actor, keyboards, and percussion, Vivier invites performers and audience to become celebrants in a transformative ritual journey through life, death, and beyond.
A Buddies in Bad Times Theatre production
KIINALIK: THESE SHARP TOOLS
created by Evalyn Parry, Laakkuluk Williamson Bathory, Erin Brubacher + Elysha Poirier, with Cris Derksen
A concert and a conversation, Kiinalik: These Sharp Tools is the meeting place of two people, and the North and South of our country. Inuk artist Laakkuluk Williamson Bathory and queer theatre-maker Evalyn Parry met on an Arctic expedition from Iqaluit to Greenland. Now sharing a stage, these two powerful storytellers map new territory together in a work that gives voice and body to the histories, culture, and climate we’ve inherited, and asks how we reckon with these sharp tools.
Edinburgh International Festival (Edinburgh, UK) – August 2-5, 2019 Great Canadian Theatre Company (Ottawa, ON), a co-presentation with the National Arts Centre Indigenous Theatre – January 22 – February 9, 2020
A Buddies in Bad Times Theatre production
written + performed by Tawiah Ben M’Carthy
directed by Evalyn Parry
live music by Kobèna Aquaa-Harrison
Imprisoned in Canada for committing a violent crime, a young man from Ghana tells his cellmates a story on the eve of his release. Although there is great risk in sharing his tale, he must tell it to be truly free. Through storytelling, dance, and live music, Obaaberima chronicles a young African-Canadian’s journey across continents, genders, races, and sexualities.
Montreal, QC – March 2020
Photo: Nick Green and Andrea Scott in Every Day She Rose. © 2019 Tanja Tiziana.