Stage Door News
Stage Door News
Verdi’s Rigoletto, a searing exploration of patriarchy, power, and commerce, returns to the Canadian Opera Company this winter with a production from acclaimed American director Christopher Alden. A tragedy on a Shakespearean scale, the opera is brought to life by an all-star cast and conducted by pre-eminent American maestro Stephen Lord. Ten performances take place at the Four Seasons Centre for the Performing Arts on January 20, 27, February 1, 4, 6, 9, 11, 17, 21, and 23, 2018.
One of the world’s most popular operas, Rigoletto’s subject matter was considered highly controversial at the time of its composition in 1851. Verdi and his librettist, Francesco Maria Piave, faced opposition from state censors for the opera’s depiction of an immoral and abusive nobleman. The COC’s production, set during the height of the Victorian era, unearths that culture of toxic masculinity and permissive patriarchy, in which men possess enormous wealth and influence while keeping women subservient and nearly powerless.
Internationally renowned Canadian designer Michael Levine illustrates the wealth, privilege and sensuality of the 19th-century court with luxurious and handsomely designed set and costumes, which earned bursts of applause when the production premiered in 2011. The darkly atmospheric lighting is by Duane Schuler.
The star-studded cast is led by commanding English baritone Roland Wood in the title role. He brings his “rich and authoritative sound, his jovial tone…hiding a stormier one that comes to the fore with volcanic intensity” (BroadwayWorld.com) back to the COC after an acclaimed debut in 2014’s A Masked Ball. He is joined by American soprano Anna Christy, “nimble of voice, body and spirit” (New York Times), as Rigoletto’s doomed daughter, Gilda.
Christy reunites with American tenor Stephen Costello, who “has the kind of voice that sets the audience—even at a dress rehearsal—atwitter” (Wall Street Journal), after their critically acclaimed performance as the doomed star-crossed lovers in the COC’s 2013 production of Lucia di Lammermoor. Costello shares the role of the Duke of Mantua with American tenor Joshua Guerrero in his Canadian debut. Praised for his “heroic, beautiful sound” (Washington Post), he sings the role on February 11, 17 and 23.
Georgian bass Goderdzi Janelidze makes his Canadian debut as the assassin Sparafucile; Canadian mezzo-soprano Carolyn Sproule makes her COC debut as Sparafucile’s sister Maddalena; Canadian bass Robert Pomakov is Count Monterone; Canadian mezzo-soprano Megan Latham is Gilda’s nurse, Giovanna; and Canadian tenor John Kriter reprises his role of Borsa from the COC’s 2011 presentation.
Recent graduates and current members of the COC Ensemble Studio round out the cast: bass-baritone Neil Craighead and soprano Lauren Eberwein are the Count and Countess Ceprano, respectively; baritone Samuel Chan is the Usher; and mezzo-soprano Simone McIntosh is the Page.
All performances of Rigoletto feature the COC Orchestra and Chorus. This is a co-production with English National Opera and was last performed in 2011. Verdi’s Rigoletto is sung in Italian and presented by the COC with English SURTITLES™.
TICKET INFORMATION
Single tickets for Rigoletto range from $35 – $225 and box seats, when available, are $350. Tickets are now on sale, available online at coc.ca, by calling 416-363-8231, or in person at the Four Seasons Centre for the Performing Arts Box Office (145 Queen St. W.). For more information on specially priced tickets available to young people under the age of 15, standing room, Opera Under 30 presented by TD Bank Group, student groups and rush seating, visit coc.ca.
Photo: Ekaterina Sadovnikova as Gilda and Dimitri Pittas as the Duke of Mantua. ©2011 Michael Cooper.
2017-12-06
Toronto: The Canadian Opera Company remounts its production of "Rigoletto" January 20-February 23